Just Below the Surface

In creating this digital painting, artist Xavier Cortada used a microscope to photograph shells of diatoms preserved in sedimentary core samples.

Diatoms harness the power of the sun to convert carbon dioxide into oxygen. These single-celled aquatic organisms are studied by FIU scientists to research what was as they address environmental concerns in the century to come.

In this way, the print allows for a conceptual understanding of the past, specifically that of natural history.

Xavier Cortada, “Just Below the Surface: 1566 (Pedro Menendez de Aviles Lands on the North Bank of the Miami River)” archival ink on paper (signed, numbered, limited-edition print, edition of 5), 16” x 12”, 2015.

In creating this digital painting, artist Xavier Cortada used a microscope to photograph shells of diatoms preserved in sedimentary core samples.

Diatoms harness the power of the sun to convert carbon dioxide into oxygen. These single-celled aquatic organisms are studied by FIU scientists to research what was as they address environmental concerns in the century to come.

In this way, the print allows for a conceptual understanding of the past, specifically that of natural history.

Xavier Cortada, “Just Below the Surface: 1896,” archival ink on paper (signed, numbered, limited-edition print, edition of 5), 16” x 12”, 2015.

In creating a digital painting to commemorate Miami Beach’s centennial, Xavier Cortada used a microscope to photograph shells of diatoms preserved in sedimentary core samples.

Diatoms harness the power of the sun to convert carbon dioxide into oxygen. These single-celled aquatic organisms are studied by FIU scientists to research what was as they address environmental concerns in the century to come.

The diatom depicted in the art was living on Biscayne Bay in 1915. It was creating the very air Miami Beach founders breathed 100 years ago as they brought the city to life.

Cortada’s original hangs permanently at City Hall.

Xavier Cortada, “Just Below the Surface: 1915,” archival ink on paper (signed, numbered, limited-edition print, edition of 5), 16” x 12”, 2015.